Category: artiste

Brunch Sonnet 6: Patti Smith at St. Mark’s Bookshop (mine).

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Brunch Sonnet 6

Patti Smith at St. Mark’s Bookshop

 

Patti kicked the g’s off the ends of words—thinkin’,

fryin’. She had long dyed hair with undercurls of grey,

no secrets there. She arrived on time in a black beanie,

her voice skidding out of her throat like wet feet on sand.

She was amazed to have her name on a New Directions book,

she waited fifty years but it happened. Fifty years isn’t so long

for a dream. Her neighbors in Detroit used to spiff up her lawn

while she was gone on trips, she hated that, she wanted

those flowers for tea, for wine, the dandelions. The worst thing

about Detroit wasn’t the lack of a coliseum or museum, but

the lack of a café. She said she’d sit in some whitewashed

corner at the nearest 7-11 and try to read, pretending  herself

at the Café des Poètes with a mug, a watch, a bit of time,

a few sips left, a cigarette, the table wooden, stained.

 

 

I now present to you…more brunch poems.

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this year, I’ll call them

The Someday Brunch Sonnets

(poems of 14 lines

occurring some days

& written in New York

during the last days of 2011

& the first days of 2012)

 

Brunch Sonnet 1

 

On the Hudson line, the Hudson’s misty white

and Harlem’s moistened bricks are held in color

by the rain. Years ago, I watched an airplane puff

a message to a lover from a lover but missed the name

when the train went underground. Usually I’m anxious

for the dark of tunnel, a sign that city life is close, all

the art and outfits waiting. This year it’s Christmas

and de Kooning, who painted roads and months on canvases

the size of my apartment.  I won’t tell you that I saw

the Merritt in his painting called the Merritt Parkway,

but the expression of the tiny patch of olive green

that beamed itself in angles from a corner was enough

to tell me that he lived here once and thought himself

a minor sight in comparison to all the trees.

 

 

Joe Brainard loved pansies.

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Joe Brainard (painter, collagist, writer) loved pansies so much. He cut them out of everywhere. He collaged them onto pages, in to entire books, which he kept and gave as presents to people like James Schuyler (I’ve seen them in the archives at UCSD–they’re beautiful; they’re shiny and layered, dozens and dozens of PANSIES).

 

 

 

His love of pansies (and flowers in general) reminds me of how I’ve always wanted to love football. Or the “Twilight” books. Or skateboarding. I want so badly to love something so simple, something that other people love so much. It’s incredibly appealing, the idea that there’s some new thing out there to get all excited about–I want to love these things; they are so available and other people love them and I would like to join in on that. But I can’t tell where the goddamn ball is on that huge field, even with the camera telling me where to look. And Bella is SO boring to read about. And I’m afraid of falling off a skateboard and hurting my knees.

 

 

Joe Brainard got something right with his love of flowers. He was a normal, human person like the rest of us, and by that, I mean that he was self-conscious and sensitive and he wasn’t sure he was ever doing the right thing. He made art and he tried his best to do days well. He wanted to be loved and he wanted to be known, and not as a celebrity. He loved flowers, especially pansies, and he found them everywhere. He collected and saved them. He saved them for himself, but also portioned them out to people he loved. People learned this about him and so sent him stationery with pansies on it. People learned what he loved and then there was more of pansies in his life, and voila: more of love.

 

 

Thursday night (mine) (poem).

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Illastep

 

Three dudes making music

on a rolled-out rug

 

Outside the table umbrellas

are lined with lights

 

One red guitar

One guitar with four shining knobs

 

Ian like a young Allen Ginsberg

on the drums

 

The lips of the man I kiss

taste like new smoke

 

People are talking and people

are nodding along

 

All my hair is safely stowed

underneath my hat

 

Good god thank you, this

is exactly what I wanted out of my twenties

 

 

I agree with you, James Schuyler (quotations, photo).

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from Schuyler’s dairies, which I spent last Thursday rifling through at the UCSD archives. Each day a new page in the typewriter.

 

“Most people don’t know how much time even a very short poem takes, even one just dashed down–trying to get it right. And the rest of us forget.” -January 4, 1968

 

“The visit to Darragh and Bridgehampton awakened a great longing for country living: I like the city, but I like to see things growing, to see blue and trembling skies, walk on the winter shore: the whole bag of tricks.” -October 15, 1984

Words to live by (Chris Kardambikis).

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written at the summer sideyard & since then stationed on my refrigerator. & now you too can have this friendly reminder on your fridge, these words of wisdom, this clever counsel, to guide you through your future beverage selections, just save the pdf, click on print, and enjoy a future of smart hydration…

I am not a painter, I am…

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Why I Am Not a Painter

I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,

for instance, Mike Goldberg
is starting a painting. I drop in.
“Sit down and have a drink” he
says. I drink; we drink. I look
up. “You have SARDINES in it.”
“Yes, it needed something there.”
“Oh.” I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. “Where’s SARDINES?”
All that’s left is just
letters, “It was too much,” Mike says.

But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven’t mentioned
orange yet. It’s twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike’s painting, called SARDINES.    

   

painting by Elspeth Sherman. poem by Frank O’Hara.