An Exercise in Love (poem) (Diane Di Prima).

An Exercise in Love

for Jackson Allen
My friend wears my scarf at his waist
I give him moonstones
He gives me shell & seaweeds
He comes from a distant city & I meet him
We will plant eggplants & celery together
He weaves me cloth

Many have brought the gifts
I use for his pleasure
silk, & green hills
& heron the color of dawn

My friend walks soft as a weaving on the wind
He backlights my dreams
He has built altars beside my bed
I awake in the smell of his hair & cannot remember
his name, or my own.

-Diane Di Prima

I agree with you, James Schuyler (quotations, photo).

from Schuyler’s dairies, which I spent last Thursday rifling through at the UCSD archives. Each day a new page in the typewriter.

 

“Most people don’t know how much time even a very short poem takes, even one just dashed down–trying to get it right. And the rest of us forget.” -January 4, 1968

 

“The visit to Darragh and Bridgehampton awakened a great longing for country living: I like the city, but I like to see things growing, to see blue and trembling skies, walk on the winter shore: the whole bag of tricks.” -October 15, 1984

Poem with boobs in it (mine).

The day I did not end up swimming

I have my bikini on, it makes me look like I have

some boobs. Yesterday at the market I held

up a big white peach and said to Annie, This is the size

boob I used to want, and she said it was a little big,

she shook her head at me, it was a B-maybe-a-C,

and she’s got As and I’ve got As and anyway what would we do

with that much more flesh? Annie’s a fruit

farmer and she’s got minor boobs but surplus

plums. She liked that yesterday’s market band was made

of dykes and so did I—girls on instruments is much

too rare. But back to the bikini—it’s made of blues

I love and I chose it to impersonate another girl,

that water type, eyes coppered by the sun with hair

blonde and knotted from the sand. I’m not that girl

at all; the ocean bullies me. I come up spitting

with my top and bottom moved and showing way

too much. I’m not the girl who owns a scooter either,

or the one who bakes to ease her stress. I’m usually

the one undressing or undressed, who looks alright

in layered clothes or none at all, not this bra

and undie set pretending to be outerwear for swimming.

I can’t accessorize or alter it, can’t make it somehow

not a brand’s idea of beach. Like Caity’s said, I hate to look

like anybody else and especially like everybody.

But Caity-all-the-way-in-Georgia: I’ll wear a bridesmaid’s

dress for you. I’ll wear whatever color that you choose

for us even if it’s closest to the color pink, a hue that

pukes atop me. I’ll wear it loud and proudly and will

only alter it as much as you allow or disallow me, just

one feather on the collar or pinned into the side. Because

on the day of someone else’s marriage, I’m really just

a woman in a dress like everybody else, there to swoon

and cry about some love performed, and for that role

any boobs at all will do, any outfit that you choose.

“I like brown beverages and…” (poem) (mine).

I like brown beverages and

stripping coriander with a friend

on the hot September stoop.

I like four books in a pile

with biggest on the bottom

and making spicy beans

and maybe even Loretta Lynn.

I like it when someone comes back

from a trip and they look a little

better than when they left.

I like the way one hand on my chest

and one on my back bookends

my heart and keeps it in.

the aesthetics/of my poetics

the aesthetics/of my poetics (subject to unceasing changes)

 

love despite the world’s negations/love as a way of staying here

 

here are my flaws, my imperfections

 

food is more than nutrients/food comes from a land

 

an item, held enough, is more than just a noun

 

I am sometimes angry sometimes many characters

 

nakedness is best/and sexiness/and salt

 

there is a music of adornment

 

words inspired by their sound is not a way of cheating

 

honey       apricot      brisket       subterfuge       caramel       kettle       perhaps

 

the city is an interstitial space

 

a poem is a present

 

a poem as a way of hitting on

 

a poem as a piece of evidence

 

if I could sing, I will

Words to live by (Chris Kardambikis).

written at the summer sideyard & since then stationed on my refrigerator. & now you too can have this friendly reminder on your fridge, these words of wisdom, this clever counsel, to guide you through your future beverage selections, just save the pdf, click on print, and enjoy a future of smart hydration…

Tomato poems! In honor of the last day of summer (Guillermo Saavedra).

On the Tomato

Brief Vaudevillian Hypotheses Apropos of This Androgynous Fruit

 

1

Behold the hero of the vegetable patch

a modest American marvel

with the face of a Chinese lantern.

2

Sheer light made of water:

a fleeting heart, pumping

muted cries of jubilation.

3

Her fancy dress, her festive

fantasy of red confirms a doubt:

she’s a lady tossed in the salad by mistake.

16

A tomato rots: here lies

a misfortune greater

than the fall of an empire.

39

Voluptuous little flag:

he makes every dry spell

fresh.

41

To sink one’s finger into

its soft flesh: a crime or copulation

as vague as your idea of bliss.

44

A tomato crosses the river

on a moonless night:

becomes a plum.

55

(Mark Twain)

A salad can be an anthem to joy

but the proof

is in the tomato.

60

To bite into a tomato thinking

of nothing: so the peak

of summer will burst in your mouth.

64

Columbus’s was egg

and prophecy: America

is a tomato under sail.

66

A tomato was raised

by two elderly lemons:

now it’s a sweet tangerine.

75

And yet, there is no more

voracious love than that of salt

searching for it on the plate.

97

The taste of tomato

remembered: the damp

face of a barefoot child.

 

 

translated from the Spanish by Cindy Schuster

I am not a painter, I am…

Why I Am Not a Painter

I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,

for instance, Mike Goldberg
is starting a painting. I drop in.
“Sit down and have a drink” he
says. I drink; we drink. I look
up. “You have SARDINES in it.”
“Yes, it needed something there.”
“Oh.” I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. “Where’s SARDINES?”
All that’s left is just
letters, “It was too much,” Mike says.

But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven’t mentioned
orange yet. It’s twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike’s painting, called SARDINES.    

   

painting by Elspeth Sherman. poem by Frank O’Hara.