Belated Brunch Poem Day 15 (mine).

Waiting on the train platform in thicksoled
winter boots and a scarf made by a friend
in the middle of an Argentinean reunion,

I find myself whistling the chorus of “If I Only
Had A Brain.” Today, shapes of water towers
and the palisades are very dear to me: one

a private chamber from a mechanized fairtytale,
the other a snow-ruled wall announcing
New Jersey. I’m on my way to see a dancer,

a music writer (red-headed), and a friend
whom I once informed was unphotogenic
and with whom I could sit on a bench

forever (and very nearly have). I’m in love
and in love and in love all at the same time
though it’s rare for a person to believe this

without use of their eyebrows. There are places
in Ohio I will never touch. There is an image
of a father vomiting into the outdoor aisle

of a baseball game that has yet to reach
its date of expiration. Perhaps we speak
with the verbs that grew us: awake, embrace,

record, replay. Perhaps the technology
of the VCR more accurately suits our human
love of angles holding time. Somewhere

in America, someone I have yet to meet
is halted in the walkable night, suctioned
to two conflicting ideas at once. I may be both

of these ideas. I may thieve one of these notions
like a gift I was owed as a child and permit myself
no remorse. The Hudson River was clean, then filthy.

Now it’s swimmable. This is only the beginning
of trains today, only  the first  gesticulation away
from coal and its misbehaved mythology.

Brunch Poem Day 14 (mine).

At the bar I answer three questions correctly
The difference between self-awareness

& self-consciousness is that one involves a strong
understanding of self and the latter may

prevent you from acting and The color of the first
humans was sandy soil and one other before

we drive  to the train station and back since Eoin
has left without saying goodbye. Tall people can’t

see me and one Guinness is enough and as
we exit once then twice through the back I throw

the fur of my hood over my eyes  and snakedance
my arms through the crowd and Hey tall people!

Betcha can’t see me now! Five dollars wasted
on the jukebox  isn’t so much but we never even

heard the songs and Eoin actually could use
that bill, may I have it back for him, please?

Even now, listening to Nina and thinking of Katie
tolerating an updo I can’t quite undo the smile

I started when I asked Eoin if I could quote him
on that (in the wake of his inquiry regarding why

I’ve never photographed him and years after
I wrote my first good poem with his name in the title)

and he responded with his elfish sense of right and wrong
Oh, so you’re asking my permission now?

Brunch Poem Day 13 (mine).

I’ve heard that animals can run over the desert without damaging the ancient top layer of dirt, but humans only break it down. Our culture tilts us toward the loud: the rhyme of noise with poise misleads us and so we may trust the decibel over touch. I once touched a man’s face and it wasn’t loud and he didn’t shudder and I could have cried if not for knowing that someone might walk in at any moment. How do you tell that? Am I telling it now? But you weren’t my fingertips.  And you don’t know his smell. I knew this man for many years and we told each other things inane and things momentous, and I touched his face one day during a season that told us nothing of where we were in the year. Are you listening? There was no telling. You’re not hearing me out loud, and yet you still may hear. I’m speaking to your brain: I touched his face. The dirt in which we sleep is dented. But it will hold.

Brunch Poem Day 11 (mine).

The chainsaw saunters in at seven
in the morning. The street has eyes;
it plugs the gutter holes with noise.
I turn to you and laugh because the day,
again, is ours to ridicule. We’re fools
when faced with many tasks: the timeliness
of haircuts, clothes that suit the function,
the godforsaken broken sink. We press
this weekday’s love of minutes to the wall
we’ve punctured with our stalwart predilection
for the east. In your hair I’ve found two dozen
reasons to remain and the kitchen, in its grace,
has yet to ask us when. The pan is hot.
We disobey the workmen’s noise.

Brunch Poem Day 10 (mine).

How can we gesture
toward the gifts
that cannot be nestled
beneath a pine?

Can we repackage
what was intended
for us in order
to save
someone else?

How can we proffer
what we’ve learned
so that others
will know to pull
at the ribbon?

Where is the adhesive
than can press
a flap of paper
to the crest
of a forehead?

At what time can we begin
to slide a fingernail
beneath the fold
of what we’re told
was meant for us?

Who is the arbiter
of who gets
to open what
first?

What is the shape
the scent
the nom de plume
of sheepish
thanks?

Into which tank
shall we be funneled
so that the liquids
of the year
mull correctly?

Is this really
not
a test?

Brunch Poem Day 9 (mine).

Oh bollocks thin
tight pants & suede
boots! I’m not prepared
for these parts & yet
we will ourselves
into a winter leisure
on the grass, the ground
not quite cold enough
to sprint from but also
not quite dry. It’s 9pm
when I voice my veto
for the glasses—it’s time
to swig and if not now
then when can you drink
straight from the bottle
with a friend who shares
your name? And so with drink
in tow & hats on ear
we fiddle down the His Side
of the street where pavement
squares aren’t as angled
by the roots. Hoo! the night
is colder than a witch’s
chest exposed to currents
and a swift eclipse & even if
the nightsky fails its task
to teach us of our smallness
& the exigence of whittled
mornings shared in bed,
we’ll have numbed the toes
of longing for this place
& named mistakes which now
in low degrees will be briskly fed
to desperate winter birds
like bread.

Brunch Poems Day 7 (mine).

In and out of sleep
like a polar bear content
never to paw ground
*
Check out the eclipse,
baby he says though the words
had to travel here
*
A neverending
font of dishes in the sink
Geography lies
*
Empty cinema
Grey fedora as a shield
I hide like a child
*
It rains on the house
we’ve deserted, black roof tiles
bellyup on grass
*
Car brimming with girls
Dancesong tuned on high
I still look sixteen
*
Walking up the street
grayed by products meant to melt
the ice that floors me
*
Bark balls, lemon squares,
crescent cookies, sugar ones
All of us like dough
*
Cell phone on the sill
clock set to San Diego
My heart, a commuter

Brunch Poem Day 6 (mine).

for Colin

He’s the historian he’s
got tallies stitched behind

the floorboards of every
lore he spins, nick names

& scoreboard shame
punches thrown

& homegames blown
up until the dirtiest

of mismatched details
quits its job in mall store

retail and hightails it
out his mouth like proof

of some uncouth and not
quite legal brand

of smalltown microscope.
But blue eyes, there is hope

for you the joke’s of course
on whom your brain

elects to memorize and you
my cornered friend are

slightly borrowed, slightly
prized and altogether

heedless of the tonnage
of your fulltime occupation

you’re just a new york boy
with piss poor circulation

Brunch Poem Day 5 (mine).

On one of the shortest days of the year,

fuel
a savory pastry (goat cheese & figs)
two porcelain mugs of coffee beside an old blue stove
and travel plans for March of twenty-twelve

found
not the scarf
not the one brown glove (god dammit)
the photographic nose for street level Manhattan
a doll-sized shopping bag on the partitioned wood of the subway station

forgiven
the six months in between (immediately)
8th Avenue for calling itself Hudson
the scrape of winter through hand-me-down stockings

formative
the sung August revival on a rooftop
the making of the song itself (on central grass, of course at night)

filibustered
no cabs on 14th and All I want
is one Yuletide Bullet is that so much to ask!

formalism
Edward Hopper painted Paris & some humans
though he was awkward with his French & missed America
and it not the patrons of the small café that had the grace
it was the trees

fortune
is like Formica
and we call it
passé

finally
In the middle of the night Sam awoke
to find us faced in to each other, almost
fetal, like two seahorses defending
their tiniest of spines & snouts from the current
of a larger fish’s tail: four hands clasped
together as if holding to the railing of a ship
whose lower decks are full and we
(above & not protected from the sea)
must bare the spit & throttle of the hours
until dawn. And in retaliation we spit ourselves
back at the black & grip until our knuckles
denounce blood though the swill of Sunday’s face
is fast to call us shameful, call us rash.