The book I made in an edition of 4 (poem, photograph).

Blanco y Negro (y Gris y Gris)

What a city should be like: angles of unfolding agave.

After noontime’s whistle, the streets are ripped asunder 

and the reassembled. The grey clouds of the sea’s

factory remove appointments like gloves. Beauty’s

nothing but a startled bird awaiting snow.

Quotation & photograph (Patti Smith).

Patti Smith, in Interview Magazine, on art and Robert Mapplethorpe:

But the artist has to struggle beneath that canopy, just as we struggled beneath a different canopy—though ours wasn’t as overwhelming. I think that true artists just have to keep doing their work, keep struggling, and keep hold of their vision. Because being a true artist is its own reward. If that’s what you are, then you are always that. You could be locked away in a prison with no way at all to communicate what’s in there, but you’re still an artist. The imagination and the ability to transform is what makes one an artist. So young artists who feel overwhelmed by everything have to almost downscale. They have to go all the way to this kernel and believe in themselves, and that’s what Robert gave me. He believed in that kernel I had, you know, with absolute unconditional belief. And if you believe it, you’ll have that your whole life, through the worst times.

And here’s my favorite picture of Patti Smith:

Read “Just Kids,” people. It is very, very good.

Today was a poem.

Today I saw a chicken on its first day of life. It was yellow and it hid beneath its mother mostly, and I loved it.

Today I saw my favorite bumper sticker. In bold letters, on a back of a truck, the only sticker:

I Love My Wife.

Today I saw Jason and Jenna and Frankie and Ryan and Dorothea and Claire and David and Jessica and Chris and Stephanie and Marshal and JP and Spencer and Jimothy and Stephen and Shanny and Sara and Anita and Scott.

Today a field of wildflowers overlooked by Tijuana saw this:

Today was good.