A marriage poem for abundance (mine).

Abundance

for Scott & Josh

 

There will be days of singing & days of silent throats

There will be days of bouquets & days of empty vases

There will be days of thirst & nights of drinking

There will be raspberry days & days of stale crusts of bread

There will be days of nails in the wall & artless days

There will be harvest days & long nights of winter

There will days to gather & days to await the gathering

May the thin days make the days of fullness all the sweeter

May your fruits be many and your backs be strong

as you launch together

into your days

of abundance

 

July 5, 2014

 

scott and josh first step

(photo of the couple’s first steps toward marriage by Misha M. Johnson)

I wrote this poem instead of taking a photograph.

What’s mine is mine forevermore

 

I cannot prove to you the beauty

of my days. I did not photograph

the whiteness of the goatsmilk

or the child of my friends

standing in the doorway

of the barn clutching at the neck

of a giant teddy bear.

I can only tell you all the flowers

that I gathered up this Sunday:

daisies and the buttercups;

asters and the rest. They stand

in crooked dignity

in a jar I’ve used for applesauce

and salad dressing. They haven’t told

me that they’re interested in being

known, and so I keep them

to myself, a self so very

skilled at keeping.

 

“Helluva Effort” (poem) (mine).

Helluva Effort

 

I don’t truss my chicks

before they’ve watched

the world spin by

for ninety days. I’m

all mussed up

with warnings wrought

by bigblack birds

with swollen beaks

that spout the speech

of ancestry. They eat

what I won’t bite &

squawk in tongues I can’t

commemorate except

to say: I came, I laid

my smallass down

upon the grass;

I did my goddamn

best to leave

a mark & then

I up & left.

in the grasses

Yesterday’s morning poem (mine).

Just your average morning shoving

 

three goatbutts into a bright blue Kia

then heading off to work. I drive

along the first branch of a river,

past brandnew calves, sideways barns,

and the sign that reads FROST HEAVE

AHEAD which no one’s taken down

because just seeing it makes the green

of the pastures an even sweeter sight.

The silos this morning are brimming

with the years they’ve seen, the guineas

bold enough to eat the grass that runs

along the road, and the local library

has its OPEN flag highfiving the wind.

On days like this, it feels like everyone

and their mother is pushing a wellworn

wheelbarrow in the direction of joy.

 

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(That image is a poemjoke. Do you get it?)

 

Poem with flowers in it (mine).

Insanity (the good kind)

lalalalalalalalalalala  for Ellie!

The trillium are blooming everywhere & I’m going insane

with happiness. Illegal to harvest & illegal not to love,

the trillium bloom in the forest and where the forest

meets the road. Magenta blooms made of three red petals

with three green understudies. Jack-in-the-pulpit’s likely

nearby, and a stream where the bugs who slide across water

are stretching their legs after winter. The breeze smells like ferns

unfurling their eyes to the sun and the hatless and shoeless

woman I am has her pupils hotglued to the ground.

Poem with some rhythm oh yeah (mine).

POEM

She can cut a rug right down

its spine. She’s wine for days

and days turn into nighttime

faster than a swine to milk.

She’s not silk or roses, not that

hightime ilk of china saucers

and the cups they keep intact.

Her shoes are blues & blacks,

her hair is factual and brown

& frowns when wet. Who says

she won’t dance until the cows

get out? She says. She’s the one

who cooks the books, dehorns

the calves, dethorns the roses,

disabuses the boys of the notion

she’ll deflower them. After hours

her lights are low, her spirits high,

she’s double-wide, three-ply belting

out her own darn lyrics to the sky.

 

“Big Sigh in Springtime” (poem) (mine).

Big Sigh in Springtime

It’s complicated, you know: being alive, being outside

at the neighbors’ on one of the first warm nights in half a year,

and there’s a doll-sized lamb frolicking around the porch,

content to be free and not kicked by its mother, almost

too precious to look at. Before we walk the short distance

home, we hear the season’s first peeper: lone screech in the dark

in the beaver pond, waiting in exile until the hatching

of comrades. We walk back with our bowl and our spoons

and the sky all around us: we’re pooped. We’re in love

with each other and our dreams and exhausted.

There’s a car to be fixed and we need a new truck

that can handle the ice. There’s not a hint of crocus

for miles, this cold hilltop bowl unwilling to surrender

her wintertime ways. It’s been nearly a week

since I showered and I still have to choose how we’ll package

our oils to sell at our markets and tomorrow I’ll train

for another small job. I think a lot of people think all I do

is wear dresses outside and eat fruit, and partly

that’s true, but also: I’m tired. Spring’s about to burst

and I’ve yet to finish Middlemarch. I remain widely

unpublished and my nails are like daggers torn sharp

with my teeth. I can’t yet picture where our life

will be planted and I can’t paint my landscape

before the canvas is stretched. My brain’s composed

of colors, painted partly by him and embellished

by me. My grammar’s intuitive, just like the rest of me–

going on gut, gunning on gut, slamming the breaks,

quick-catching a view of what whizzes by while I drive.

I like talking walks and I always walk quickly,

though I’m trying to enjoy walking slower, looking up

and around instead of just down at the mullein

and mushrooms popping up everywhere. These days I’m holding

out hope that my sister moves east and on Thursday I head

to the city by bus to say hi to the Whitney, the subway,

the blossoms, my friends. It’s nice to go south yet painful

to leave my love in the house, sleeping alone in our bed

made for two, sitting alone at the small kitchen table where we rest

all our meals. When I said it’s complicated, being alive, being

outside at night surrounded by grass greening back

to its best summer self, what I meant was I’m tired

and I’m happy and I’m healing and I’m growing

like ginseng–I’m taking my time. In these days before

children, all my time is my own and I covet that time,

sinking deep in the couch with a thick hunk of literature,

putting on earrings just to go down for dinner.

IMG_2333

“So Various” (my poem of last Sunday).

So Various

1

We walked out to pasture

to feed the pigs, the neighbors’

dog running beside us, shitting

beside us. The clouds were a quilt

of calcite-colored gloom, our field

a carpet of sod turned over by hooves.

2

We sat as the chipmunks called

to each other, ass down in a sea

of tumbled stones. Selenite stacked

like logs, geode after geode

to the wind, our pockets brimmed

with the weight of colored stones.

3

Inside the restaurant painted

the colors of wasabi and ginger, we ate

wasabi and ginger. 80s hits screamed

eternity from speaks all around, even

in the bathroom. A plate of shrimp shumai

like pillows for a clique of mice.

4

We weren’t badly dressed

for the party, but we weren’t

dressed correctly, either. Grown men

in a palette of pastels, ladies drunk

beneath their brims, and the shining

horses racing towards their deaths.

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“The Sun Inside” (yesterday’s poem) (mine).

The Sun Inside

Winter’s over, shake me out, wash me deep

for the first & final time, says the cheap

winter coat I bought for its greenness and for the love

of its fur I could see myself nesting inside

for so many months, my face a cold photograph

in a frame of fuzz, and the goat blood

on the pocket came out as if the whole ordeal

was just a bad dream I could return with free

shipping! That hairdresser was right, you know–

after the initial shock of loss, my hair grew back

faster than ever. And here I am with my cowboy boots

and my cowkid plaid & my broken wristwatch

in the first wet warm days of a Spring I thought

would stand me up like a hot bad date, & the ends

of my hair are light not from dye but from the sun inside.