Listen,
my wary one, it’s far too late
to unlove each other. Instead let’s cook
something elaborate and not
invite anyone to share it but eat it
all up very slowly.
(111 Academy Road. Thetford Hill, VT. Winter 2009.)
Yes, it’s early, late or middle Friday evening in the universe. Oh, the sounds of time are pouring through the window and the key. All ideardian windows and bedarvled bedarvled mad bedraggled robes that rolled in the cave of Amontillado and all the sherried heroes lost and caved up, and transylvanian heroes mixing themselves up with glazer vup and the hydrogen bomb of hope.
(-Jack Kerouac, from his narration of the short film “Pull My Daisy,” part of which you can watch right here, with Italian subtitles, black and white versions of late afternoon Manhattan sunlight, and Kerouac, rambling long and short and narratively.) (I just learned how to embed videos on my site thanks to this really cool person’s daily song website. One small step for panache perhaps.)
(this poem garnered significant oomph from frankie, who read me a poem in my bathroom during my 25th birthday party.) (it was a poem she’d written on her 25th birthday.) (oomph also derived from frankie and ryan’s poetic manifestos, both brilliant, stunning.) (additional oomph supplied by russian writers, who were always writing manifestos.) (for maximum oomph factor, read this poem Out Loud!) (end oomphnotes HERE.)
Towards a (Goddamn) Manifesto
Yes: there can be two pedestals.
Why not. Are you one of those
lazies that asserts, This is the only
life I could have lived? Are you
people still around? Shoot
I’m up to eight by now, or
seven if two are too close
to count as separate. Not
separate people, mind you,
but lives. I won’t narrate them
to you (you’d judge, you always
do, you with your marriage vows
and your psychoanalysis, your
black-and-whites and weekday
underwear). Listen up: sometimes,
on the weekdays, I don’t wear
underwear. Other times, I name
birds, hug for long times, shovel
mango into my mouth, kiss my
palm three times, have sex,
regret potato chips, mop, or
wear moccasins. I can’t decide
some days how to fly the damn
coop of my own brain. Other days
I’m up there in the bath tub,
lavender bath salts, Erykah Badu
on, crooning, I bet nobody ever
told you all you must hold on to
is you, is you, is you. One day,
all of you won’t read my letters.
They’re my god damn property.
If you’d asked, I would have
written. Anyone who’s written
knows that. Some people I love
have beards and one of them
willingly showed me her
pubic hair in a bar’s bathroom
because I was worrying about
how shaved is so god-damn
normal and that woman is my friend.
And I said, Thank you so kindly
for sharing. I feel—better now.
Like how a salad gets better
with cheese (plain truth). Like how
some people who didn’t come
over to my house very much
if ever in high school are now
hearing about my updated feelings
on things. Like how I tried to stop
saying “like” in my sentences
a year ago and it worked. God
bless my own damn self, you
know? And bless the adults
who taught their children how
to skip by pure example. I know
we can’t extend the word “queer”
too much because there’s a political
struggle for gay rights and we
all need to be lining ourselves
up for equality but G-damn,
I feel queer sometimes. In that
good way that no one tells you
about. I have been throwing myself
at the world now for many moons.
My scars are from a canoe, a field
of celery, and a chicken pock. No
blood I can’t get back. I drove
a tractor once in France and
it sure was relaxing after all
the bales of hay I’d been heaving
on it’s bed, but I got lonely
for the people down below. I worship
and love more than one deity,
more than one human, animal,
font, and meal. Just because I adore
an old man walking around the block
with ski poles and a bicycle helmet
doesn’t mean there’s less of me
to go around. In fact, there’s more.
Love breeds love, you dig? Perhaps
we only say the word where
others deem it right (mother,
lover, old friend, loyal pet), but
LOVE, my friends, resides in
more than one arena and we can
form it at our leisure, this earthly
pleasure admits allllll ages.
In New York from a rooftop in Chinatown
one can see the sci-fi bridges and aisles
of buildings where there are more miles
of shortcuts and alternative takes than
there are Miles Davis alternative takes.
There is a white girl who looks hi-
jacked with feeling in her glittering jacket
and her boots that look made of dinosaur
skin and R is saying to her I love you
again and again. On a Chinatown rooftop
in New York anything can happen.
Someone says “abattoir” is such a pretty word
for “slaughterhouse.” Someone says
mermaids are just fish ladies. I am so
fucking vain I cannot believe anyone
is threatened by me. In New York
not everyone is forgiven. Dear New York,
dear girl with a bar code tattooed
on the side of your face, and everyone
writing poems about and inside and outside
the subways, dear people underground
in New York, on the sci-fi bridges and aisles
of New York, on the rooftops of Chinatown
where Miles Davis is pumping in,
and someone is telling me about the contranyms,
how “cleave” and “cleave” are the same word
looking in opposite directions. I now know
“bolt” is to lock and “bolt” is to run away.
That’s how I think of New York. Someone
jonesing for Grace Jones at the party,
and someone jonesing for grace.

photo taken headed uptown, disposable camera, December 2011
(via wasted rita)
You dear you, cleaning up Henry’s foreign affairs,
with your sword & armour heading for his bank,
a cable gone astray:
except for you he had hopped in the Liffey & sank.
Now what can he in return do: upstairs? downstairs?
You run your life every day
so well it’s hard to think of anything you need
and I only supply needs, needs & ceremonies,
I’ll send you the last thirteen,
in all of which Henry is extremely dead
but talkative. To you with your peat moss & leaf-mould
& little soft wet holes
where you put ginger, bloodroot & blueheads
& pearly everlastings, —what can he say of worth?
In all his nine lives
he was seldom so pleased been to be on the same earth
with you, my dear. We get on better than
most husbands & wives.
He hated boats and her mother
lived on one. She invited him
to go, he went, no horror stories
from that December on the ocean,
at least not ones I’ve heard, the two
of them in t-shirts I now wish
I owned, sleeping under and on
top of polished wood, I imagine
that the fish they ate was very
good, flaking off in chunks to fill
their mouths and bathing suited
stomachs, the swelter of the sky
like a unrelenting aunt, and the noise
of wind rushing through their hair
was the loudest noise their ears
could comprehend
Truckstops never
stopped us from zoomin’.
I’ll have a 24oz
Pepsi-Cola.
(Lil poem written on a drive to Scottsdale, Arizona. Photo taken on our drive across the country. More photos of the drive west can be accessed by clicking on these words with your computer mouse.)
welcome home, my prince
into my white season of no you
welcome home
iiiiiiiiiiiito my songs
that touch yo/head
iiiiiiiiiiiiand rain green laughter
iiiiiiiiiiiiin greeting
welcome home
to this monday
iiiiiiiiiiiithat has grown up
with the sound of yo/name,
for i have chanted to yesterday’s sun
to hurry back with
his belly full of morning
iiiiiiiiiiiiand you have come
and i cannot look up at you.
iiiiiiiiiiiimy body
trembles and i mumble things as you
stand tall and sacred
so easily in yo/self
iiiiiiiiiiiibut i am here
to love you
iiiiiiiiiiiito carry yo/name on my
ankles like bells
iiiiiiiiiiiito dance in
yo/arena of love.
you are tattooed on the round/soft/
parts of me.
iiiiiiiiiiiiand yo/smell is
always with me.