“Friday evening in the universe” (Kerouac).

Yes, it’s early, late or middle Friday evening in the universe. Oh, the sounds of time are pouring through the window and the key. All ideardian windows and bedarvled bedarvled mad bedraggled robes that rolled in the cave of Amontillado and all the sherried heroes lost and caved up, and transylvanian heroes mixing themselves up with glazer vup and the hydrogen bomb of hope.

 

(-Jack Kerouac, from his narration of the short film “Pull My Daisy,” part of which you can watch right here, with Italian subtitles, black and white versions of late afternoon Manhattan sunlight, and Kerouac, rambling long and short and narratively.) (I just learned how to embed videos on my site thanks to this really cool person’s daily song website. One small step for panache perhaps.)

Something like a manifesto (mine).

(this poem garnered significant oomph from frankie, who read me a poem in my bathroom during my 25th birthday party.) (it was a poem she’d written on her 25th birthday.) (oomph also derived from frankie and ryan’s poetic manifestos, both brilliant, stunning.) (additional oomph supplied by russian writers, who were always writing manifestos.) (for maximum oomph factor, read this poem Out Loud!) (end oomphnotes HERE.)

Towards a (Goddamn) Manifesto

Yes: there can be two pedestals.

Why not. Are you one of those

lazies that asserts, This is the only

 

life I could have lived? Are you

people still around? Shoot

I’m up  to eight by now, or

 

seven if two are too close

to count as separate. Not

separate people, mind you,

 

but lives. I won’t narrate them

to you (you’d judge, you always

do, you with your marriage vows

 

and your psychoanalysis, your

black-and-whites and weekday

underwear). Listen up: sometimes,

 

on the weekdays, I don’t wear

underwear. Other times, I name

birds, hug for long times, shovel

 

mango into my mouth, kiss my

palm three times, have sex,

regret potato chips, mop, or

 

wear moccasins. I can’t decide

some days how to fly the damn

coop of my own brain. Other days

 

I’m up there in the bath tub,

lavender bath salts, Erykah Badu

on, crooning, I bet nobody ever

 

told you all you must hold on to

is you, is you, is you. One day,

all of you won’t read my letters.

 

They’re my god damn property.

If you’d asked, I would have

written. Anyone who’s written

 

knows that. Some people I love

have beards and one of them

willingly showed me her

 

pubic hair in a bar’s bathroom

because I was worrying about

how shaved is so god-damn

 

normal and that woman is my friend.

And I said, Thank you so kindly

for sharing. I feel—better now.

 

Like how a salad gets better

with cheese (plain truth). Like how

some people who didn’t come

 

over to my house very much

if ever in high school are now

hearing about my updated feelings

 

on things. Like how I tried to stop

saying “like” in my sentences

a year ago and it worked. God

 

bless my own damn self, you

know? And bless the adults

who taught their children how

 

to skip by pure example. I know

we can’t extend the word “queer”

too much because there’s a political

 

struggle for gay rights and we

all need to be lining ourselves

up for equality but G-damn,

 

I feel queer sometimes. In that

good way that no one tells you

about. I have been throwing myself

 

at the world now for many moons.

My scars are from a canoe, a field

of celery, and a chicken pock. No

 

blood I can’t get back. I drove

a tractor once in France and

it sure was relaxing after all

 

the bales of hay I’d been heaving

on it’s bed, but I got lonely

for the people down below. I worship

 

and love more than one deity,

more than one human, animal,

font, and meal. Just because I adore

 

an old man walking  around the block

with ski poles and a bicycle helmet

doesn’t mean there’s less of me

 

to go around. In fact, there’s more.

Love breeds love, you dig? Perhaps

we only say the word where

 

others deem it right (mother,

lover, old friend, loyal pet), but

LOVE, my friends, resides in

 

more than one arena and we can

form it at our leisure, this earthly

pleasure admits allllll ages.

Poem I have memorized (Terrance Hayes).

New York Poem

In New York from a rooftop in Chinatown
one can see the sci-fi bridges and aisles
of buildings where there are more miles
of shortcuts and alternative takes than
there are Miles Davis alternative takes.
There is a white girl who looks hi-
jacked with feeling in her glittering jacket
and her boots that look made of dinosaur
skin and R is saying to her I love you
again and again. On a Chinatown rooftop
in New York anything can happen.
Someone says “abattoir” is such a pretty word
for “slaughterhouse.” Someone says
mermaids are just fish ladies. I am so
fucking vain I cannot believe anyone
is threatened by me. In New York
not everyone is forgiven. Dear New York,
dear girl with a bar code tattooed
on the side of your face, and everyone
writing poems about and inside and outside
the subways, dear people underground
in New York, on the sci-fi bridges and aisles
of New York, on the rooftops of Chinatown
where Miles Davis is pumping in,
and someone is telling me about the contranyms,
how “cleave” and “cleave” are the same word
looking in opposite directions. I now know
“bolt” is to lock and “bolt” is to run away.
That’s how I think of New York. Someone
jonesing for Grace Jones at the party,
and someone jonesing for grace.

photo taken headed uptown, disposable camera, December 2011

Dream Song 295 (John Berryman).

 

You dear you, cleaning up Henry’s foreign affairs,
with your sword & armour heading for his bank,
a cable gone astray:
except for you he had hopped in the Liffey & sank.
Now what can he in return do: upstairs? downstairs?
You run your life every day

so well it’s hard to think    of anything you need
and I only supply needs, needs & ceremonies,
I’ll send you the last thirteen,
in all of which Henry is extremely dead
but talkative. To you with your peat moss & leaf-mould
& little soft wet holes

where you put ginger, bloodroot & blueheads
& pearly everlastings, —what can he say of worth?
In all his nine lives
he was seldom so pleased been to be on the same earth
with you, my dear. We get on better than
most husbands & wives.

 

 

Happy Anniversary Mom & Dad.

He hated boats and her mother

lived on one. She invited him

to go, he went, no horror stories

from that December on the ocean,

at least not ones I’ve heard, the two

of them in t-shirts I now wish

I owned, sleeping under and on

top of polished wood, I imagine

that the fish they ate was very

good, flaking off in chunks to fill

their mouths and bathing suited

stomachs, the swelter of the sky

like a unrelenting aunt, and the noise

of wind rushing through their hair

was the loudest noise their ears

could comprehend

 

The book I made in an edition of 4 (poem, photograph).

Blanco y Negro (y Gris y Gris)

What a city should be like: angles of unfolding agave.

After noontime’s whistle, the streets are ripped asunder 

and the reassembled. The grey clouds of the sea’s

factory remove appointments like gloves. Beauty’s

nothing but a startled bird awaiting snow.

she gets it right by me (sonia sanchez).

Welcome Home, My Prince

welcome home, my prince
into my white season of no you
welcome home
iiiiiiiiiiiito my songs
that touch yo/head
iiiiiiiiiiiiand rain green laughter
iiiiiiiiiiiiin greeting
welcome home
to this monday
iiiiiiiiiiiithat has grown up
with the sound of yo/name,
for i have chanted to yesterday’s sun
to hurry back with
his belly full of morning
iiiiiiiiiiiiand you have come
and i cannot look up at you.
iiiiiiiiiiiimy body
trembles and i mumble things as you
stand tall and sacred
so easily in yo/self
iiiiiiiiiiiibut i am here
to love you
iiiiiiiiiiiito carry yo/name on my
ankles like bells
iiiiiiiiiiiito dance in
yo/arena of love.
you are tattooed on the round/soft/
parts of me.
iiiiiiiiiiiiand yo/smell is
always with me.