Mary Moon: she’s a vegetarian (song).

When I was sixteen years old I was the only vegetarian around—I lived in a small town and I guess everyone ate meat.

 

I had three best guy friends; we were a bit of a foursome. We once made a short film with my video camera where one of them, Eoin, turned into a cigar Indian while trying to thieve objects in a house (including toilet paper). The house was my house and we still quote that movie; it’s called “Sitting Bull” and my parents still have that cigar Indian.

 

The point is, I was the vegetarian of the group. They used to sing this song to me constantly. Listening to it now, I feel good about being compared to Mary Moon. She’s an intellectual, but despite this fact, remains quite sexual. I’m down with that.

 

This one goes out to Tom, Eoin, and Schnibbe, who taught me this song, to speed up at yellow lights, and the meaning of a “rusty trombone.” Gross.

 

Belated brunch sonnet #7 (mine).

 

I want to walk around Hastings but nobody lives here

anymore. Pretty soon I won’t either. My home will be

some yellow morning in a place with seasons, a couple

of strips of bacon still scenting the rooms near the kitchen.

Tomorrow I’ll show friends the spots on my tour of Hastings:

the tennis courts, the entrance to the woods, the back door

of the bar where you can smoke anything, the long lightless

road along Reynolds Field. I haven’t lived here for years,

proved by today when I tried to mail my letter in two mailboxes

no longer in service, painted brown but still standing, handled

mouths glued shut. When I come home, the cat relearns me.

I sleep under a mountain of blankets. My appetite is misplaced

and I get lost driving simple places. All this not-knowing

is a sort of exhaustion. All these knots have pull.

 

Brunch Sonnet 6: Patti Smith at St. Mark’s Bookshop (mine).

Brunch Sonnet 6

Patti Smith at St. Mark’s Bookshop

 

Patti kicked the g’s off the ends of words—thinkin’,

fryin’. She had long dyed hair with undercurls of grey,

no secrets there. She arrived on time in a black beanie,

her voice skidding out of her throat like wet feet on sand.

She was amazed to have her name on a New Directions book,

she waited fifty years but it happened. Fifty years isn’t so long

for a dream. Her neighbors in Detroit used to spiff up her lawn

while she was gone on trips, she hated that, she wanted

those flowers for tea, for wine, the dandelions. The worst thing

about Detroit wasn’t the lack of a coliseum or museum, but

the lack of a café. She said she’d sit in some whitewashed

corner at the nearest 7-11 and try to read, pretending  herself

at the Café des Poètes with a mug, a watch, a bit of time,

a few sips left, a cigarette, the table wooden, stained.

 

 

New Year’s Eve Brunch Sonnet (#5) (mine).

 

Max is also a Pisces

He hands me the astrology book while reading my “Lovepoem” out loud

My photograph is on the refrigerator

This is my first time at their apartment and my photograph is on the wall

At midnight a blonde girl lights my sparkler after two minutes of matches

Sam in her black turtleneck with a small cup of water and grooving

Kathryn dancing with her hair

Mallory on the couch getting the scoop

In Andrew’s room the bed is stripped

Max makes coffee and the room is mugged

No taxis in all of Brooklyn, no taxis in all of New York

After 4am I’m not especially human

Math and sleep are both about the numbers

This year, again, is all about the words

 

 

Brunch Sonnet 4 (mine).

 

The river was swollen. There were rocks

covered completely by water. We three stood

by the water. It was too cold for smells.

There is nothing so serious as each instant

occurring right after the last. Only this. Then

this. We unribbon. We peeled back, pulled open.

And from our mouths: sets of words. Laughs

of white breath. The story of a star. We are anything,

except that we are only this: this single minute.

One truth after another. My hands were in

my pockets. The river licked at rocks. All

that liquid, all that thirst. The temperature took

away my toes. I see some people twice a year.

There is a fullness to the sky, an emptiness.

 

 

Brunch Sonnet 2 (mine).

Brunch Sonnet 2

 

I hear you’re writing brunch poems again,

says Eoin. That’s very dangerous for me. He knows

anything he says or does may be used against him

in a poem. Last night I gave ten dollars to one person,

tonight to another. I spend my money on whiskey

and pens and paper goods and friends. They pay me

back. I wear my hair to the side and listen to Camus:

Today we are always as ready to judge as we are

to fornicate. It’s so easy coming home, yelling over

girls I learned to drink with, talking to boys I kissed

and afterward befriended. I get called by my initials

and thrown up into the air by someone who still

walks like a football player. We can’t escape ourselves,

not that we would want to. Not this holiday at least.

 

 

I now present to you…more brunch poems.

this year, I’ll call them

The Someday Brunch Sonnets

(poems of 14 lines

occurring some days

& written in New York

during the last days of 2011

& the first days of 2012)

 

Brunch Sonnet 1

 

On the Hudson line, the Hudson’s misty white

and Harlem’s moistened bricks are held in color

by the rain. Years ago, I watched an airplane puff

a message to a lover from a lover but missed the name

when the train went underground. Usually I’m anxious

for the dark of tunnel, a sign that city life is close, all

the art and outfits waiting. This year it’s Christmas

and de Kooning, who painted roads and months on canvases

the size of my apartment.  I won’t tell you that I saw

the Merritt in his painting called the Merritt Parkway,

but the expression of the tiny patch of olive green

that beamed itself in angles from a corner was enough

to tell me that he lived here once and thought himself

a minor sight in comparison to all the trees.