Little moving poem (mine).

(Written before we moved. & now that we’re settled, whew. I feel good.)

***

Today, Thank Heavens, I Have Hands

 

I think less of people who think

little creatures are stupider than big ones.

 

I try not to think about how heavy

and tedious moving is,

 

though there’s some fleck of comfort

in the known physical difficulty of it

 

and the general commonness

of packing stuff in boxes. Watch

 

as I move to a new home: what I can lift

I am touching with my hands.

 

And on the days when  I have no hands,

I lift all the invisible things.

 

 

Poem inspired by a painting (my poem; Clare Elsaesser’s painting)/

I am the girl with flowers in front of her face

 

I am the girl with flowers in front of her face.

You cannot see my face and all I care about

is keeping the flowers in place.

They are huger than I

& I snipped them for myself.

I can sense your attempts

to see through my cloud of pinks:

I sense you searching for an angle

that will unveil my veil

of petals. You can gaze forever

at the Mona Lisa, speak novels

of her brows, her simple little

almost-smile. But I am only

petals now. Like a pill bug

beneath a stone untouched

in a forest, I am occurring

wholly elsewhere. You may never know

where I harvested my flowers, let alone

what type of beauty or disdain

I hide.

 

tumblr_mwg5e63vei1qa7pooo1_500

 

Buy it if you want it (I did).

I paid $8 for this poem (and I don’t regret it) (Ben Aleshire).

Sometimes you’re in New Orleans for a bachelorette weekend with your favorite ladies and you meet a Vermont poet with a typewriter on the street and you ask for a poem please and he writes you one and you like it a lot and you pay him $8 which seems like a lot to you but seems like a little to him since he just had a woman hand him two crisp twenties for her poem. And maybe if this happens to you you feel a little bit like the world is helping you out, throwing you a bone, or in this case, a Ben.

 

Fruit

 

Clementine, you say,

already tasting it.

Apricot, and the word is caught

on your tongue (lone muscle

of both language & hunger) (the word

itself you peel and undress).

In the night you wake,

find yourself in an orchard –

don’t you        don’t you

You cannot sleep for the sound

of apples falling all around you,

words heavy on the branch.

Even trees let go their fruit.

Nothing weighs more

than a burden refused (say the apples

touching each other in the grass)

 

***

 

 

This is the best thing on the internet (POETRY + HIP HOP).

The internet is too big to talk about as a whole, but on the whole I’ll generalize and say that my favorite thing about the internet is….this.

So now that you clicked on that link, click the little play button, and now you’ll be listening to Frank O’Hara (THE MAN MY LEGEND) reading his poem “Ode to Joy” over an instrumental version of Drake’s “The Best I Ever Had.”

I already love Drake because he is a pretty good rapper and once made a video that took place at a bar mitzvah (combining Judaism and hip hop, which rarely happens). I’ve loved Frank O’Hara for always & always will, even though he is very easy to love and everyone seems to. I think I still love him differently. His little lispy-crispy pronunciation. His gap tooth. His neck in a crew neck sweater in the postcard that lives in my truck. I do love him. And now thanks to the internet, (well, thanks to Cassanda Gillig, whom I would like to meet because he seems hilarious and cool and smart and essential), I can have poetry & hip hop fused in just the way I never knew I’d love because I hadn’t fathomed it yet.

And there’s more. There’s Brautigan & Mariah Carey! Even better THERE IS JUSTIN TIMBERLAKE AND ALICE NOTLEY. I am going bonkers right now. You know when you find something that you like so much you can’t handle it? And you think about how good life was before and how now it’s one significant notch better? And you feel like your posture has gotten better and that there’s more space between your toes so you can stand and jump and dance better? Do you guys know what I’m talking about?

 

 

Poem from over a year ago (melancholy, rambling, true).

Pizza Time

 

Sometimes I feel like I’m whispering

into a megaphone that’s turned off

says Sean, reading from a blue notebook

he made in art class last semester. He sits

 

down. I’m already sitting and I know

what he means though I ask the wrong question,

the one about the girlfriend. No, he isn’t sad

and missing her. He’s sad walking around.

 

I’m sad walking around, too. We sit and no one

walks past in the hallways because everyone

leaves our school as fast as they can. ]

Whole days go by and I see no one

 

that loves me, I say. He says, It wasn’t the same

at my other school. I say, Me neither. He’s

already closed that notebook he made.

But it’s not that there aren’t good people here,

 

I think, or say, we’re talking and not everything

from the brain exits the mouth. We have to go

to a poetry reading but we’re going together.

We get up. We pass by the side of the library

 

that’s covered in glass, the glass covered in blinds.

Is it us, or this place? one of us says and I say

This place, and mention New York and Kathryn

in the back of my car, nodding at how her city

 

gives back, makes wintertime worth it, all those

exhibits uptown and trombones in the park

and you can take the subway anywhere. Here

we get the sun, every day. And that’s nice, we say.

 

But that’s not anyone’s doing! We’re laughing

but it isn’t funny. And sleeping alone in a bed is lonely,

Sean says, I could wake up dead and nobody

would know it. I know what he means. I think

 

it has to do with bearing witness. About visiting

Klee hung on a wall. About loving a person

by cooking them tofu. Or something to do with

inertia. Or people with grit. Or an older

 

America. The reading takes place where

readings take place and waiting, we talk about

Jericho, being so smart, writing those poems, knowing

those songs. The poet in front says “fadder”

 

for father and it sounds more correct. Everything’s

over in about  forty minutes. I say the word pizza

because it’s Sean’s favorite word. Two slices with pesto

and two with ricotta. The game is on loud

 

in the kitchen; the kitchen is next to the booths.

Before dropping me off, Sean gives me a sticker

from a band he was in. It’s likely that I’ll save it

for seven years, then paste it to a letter  to him.

 

Dear Sean, I’ll write. The Holsteins here

are sick of their milk. The fruits on the trees

wage war by wielding juice. All the poems we wrote

in school are finally getting acted out.

Poem written at dusk, written right this minute (mine).

I am making plum jam and it smells divine

because of that vanilla bean steeping in it

grown by an orchid in another county’s humidity

 

Misha is outside snipping grapes off the vine

to bring to his parents

because we can’t make all the jam

 

It’s sunny now after  a day of bluster and greys

and there’s a catbird screeching near the chickens

and the rooster’s screeching back at her

 

I can’t tell you how many times I’ve been injured

because it would sound unimpressive

and I like to impress people with quantities

 

Multiplication has never come easy to me

not even after years of memorization

I wish numbers were something I could intuit like moods

 

Being an adult means being able to eat an entire box of macaroni & cheese

And I can do that

But only every once and a while

 

Perhaps I’m still not quite fully grown

That would be really great news for me

Because I check my upper back daily for wings

 

On the day when I finally grow my wings

I will act as nonchalant as a teenager

And fly away for a daytrip but return home at dusk

 

Because dusk is the best part about autumn

And the best part about summer too

And the best part about right this minute

 

So I’m off to enjoy this current set of minutes

Because as you know they are already flying away from me

At a pace that not even the wingful can achieve

 

“Plumb Dumb Confessions” (poem out loud) (mine).

Click to listen:

Plumb Dumb Confessions

 

When someone asks me if I want to do something

and the answer is I can’t or I don’t want to,

I do this thing where instead of telling them

I can’t, sometimes I just don’t respond. And I do

this other thing which involves me squirelling

into couch cushions with a 700-page book

when the day isn’t going great. I also do other

aggravating things that my family & friends

will list for you at their leisure if you ask them.

Something no one knows that I do is prepare

toasts in my head for the weddings of friends

while I drive alone in my car, even for the friends

who aren’t in relationships. Sometimes I eat melon

for dinner out of pure laziness, standing over the sink

and scooping, scooping. I fall for people so easily

I have to hold on to my spandex every time

a cute young girl  with a cool shirt walks into yoga class.

I paint my toenails so rarely that when I do

I shellac them with at least three coats so

they’ll stay pretty for months. I only shower

like twice a week and I never know which direction

is north or how to fix it when my bicycle chain

falls off of where it’s supposed to be. Plus, I still

don’t really know how to use my cell phone fully

and I use emoticons definitely too much.

To top it all off, this morning I woke up singing Beyoncé

and then I tried to write a poem inspired by Beyoncé

which was obviously a terrible failure and now

you know a handful of my plumb dumb traits.

 

“Ode to the First Peach” (poem) (Ellen Bass).

A San Diego friend emailed me this poem this week. How did she know this was the week I was missing peaches so badly? Also missing Annie of Sweet Tree Farms, the best & coolest fruit farmer in the Whole World. We do have a couple of peach trees on the property, but no fruits yet. Although there are huge, bodacious raspberries blooming. Also blueberries. And plums! So there is really nothing for me to complain about. But ooh. The joy of eating a peach. While standing over the sink. The juice dripping down my chin. And looking out the window as I bite. And taking the pit in my fingers. And throwing it outside. Just in case. It wants to grow. Into a peach tree of its own.

 

**

Ode to the First Peach

Only one insect has feasted here,
a clear stub of resin
plugs the scar. And the hollow
where the steam was severed
shines with juice.
The fur still silvered
like a caul. Even
in the next minute
the hairs will darken,
turn more golden in my palm.
Heavier, this flesh,
than you would imagine
like the sudden
weight of a newborn.
Oh what a marriage
of citron and blush!
It could be a planet
reflected through a hall
of mirrors. Or
what a swan becomes
when a fairy shoots it
from the sky at dawn.
At the beginning of the world,
when the first dense pith
was ravished and the stars
were not yet lustrous
coins fallen from the
pockets of night,
who could have dreamed
this would be curried
from the chaos.
Scent of morning and sugar,
bruise and hunger.
Silent, swollen, clefted life,
remnant always remaking itself
out of that first flaming ripeness.