Broadsides are important; poems are important (broadside; poem).

I believe that literature is important, and I believe that beauty is important, too. I believe in aesthetics, not for the sake of aesthetics, but for the sake of adding curation to the world. I believe in beautiful books of poems and I believe in broadsides, poems letter-pressed (letter-punched) into thick paper. One day, I will own a small letterpress, and I will make small books, beautiful books, books that have forests in their peripheral vision. They will be for sale, and they will be available for barter, too, because I believe less in money than I believe in beautiful items, a jar of brightpurple kimchi, a set of photographs with thick white borders, a hand-sanded cutting board. I believe in love and I believe in matrimony if you want it and I believe in admitting fault and in feeding oneself and one’s loved ones. In essence, I believe. As a result, I share this stanza that I love (by someone I know), and this whole poem, which I understand completely (by someone I do not know).

 

In a movie we see a young family live through
a tsunami. Sheltering in trees. I think of the man I might expect
to find unhurt in a tree above any awful thing. This man who
on Christmas I said I would marry. When I met him I dreamt
we went cheek-to-cheek to the peak of the dome of my room to speak
privately. When something comes true it is like a wreath in your body.

and

 

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(via BLACK LEMON)

Joe Brainard & White River Junction (writings & photos).

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White River Junction is where I live, and work, and eat. It is also where I yoga and latte and gossip and discover treasures. It is where I mail letters & where I show off my extensive hat collection. Joe Brainard passed through here on a bus once (probably more than once), and he wrote about it, and these days I’m reading Joe Brainard again because I think of him as a pick-me-up, even though he was mostly sad and worried about being too skinny and anxious about the concept of being a “painter” and the concept of love lasting. Then how does he make me so happy? Because he enjoyed being alive and wrote a lot just to do it and he drew pictures of things on tables and hung out with James Schuyler, one of my gay dead loves. And he had a good attitude, he did his exercises and illustrated books and drove places with friends. He was one of those charmers, I think. Here’s some of him.

 

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*top image is from The Best American Poetry blog and the bottom image is from my phone’s camera, taken while drinking black tea with milk & honey.

Sappho Saturday (fragment & photo).

 

Some men say an army of horse and some men say an army on foot

and some men say an army of ships is the most beautiful thing

on the black earth. But I say it is

what you love.

 

-Sappho, as translated by Anne Carson

 

 

photo of Littleleaf by Misha

 

 

Joyful poem of New York City (mine).

 

Scott in the Guggenheim’s whorl

stared at a Picasso with both eyes

forward, said to me “I see the Eiffel

tower, a saxophone and some boobs

on a plate.” We laughed in the museum

and got in trouble for photographs

and got kicked out a closing time

and talked right up to the stop

where we split off from each other

in the underground undergrime

of the subway. I zoomed to Kathryn

with her foster dog who did not

love me but he loved my thigh

and dinner at a tiny restaurant

where we cried in the moment

in between dinner and dessert

when the cook in the kitchen

right behind us began slicing

tomorrow’s onions. Eyedrops

and overdue birthday presents,

hummus scooped around, wine

and wine and a whiskey, a bouquet

and a beer and asleep in Sam’s

bed with the lock fully bolted.

And so much to eat every day,

scalloped potatoes by Kath

in the sweet lowdown space

where she’s made her small home.

And Andy so tall that we hug

like a tree and a sapling. And Max

even taller, so full of face that I’ve missed

since last winter in Bushwick when

the cabs were all taken. Awe of piled

trash on every street, awe of the ease

of jokes and jingles made around a small

wooden table. Only three tiny pills

twice a day for Sam. Schiele for free

in a gallery uptown. The subway running

as if the storm never blew. Sean lives

with Scott and they’re both my true

friends. Poems and lentils and The Strand

and more whiskey. Running down 12th

like a bat outta barn. Coffee in mugs

and coffee to go. Dancing in honor

of a liver restored. And back on the bus

to my home in the country, fat to the gills

on signage, on sweetness.

 

 

Saturday song (The Head and the Heart).

Katie put this song on a mix for me. It’s track 14 and I skip to it as I drive up the winding hill toward home. And I sing along to it very loudly, especially the lyric that Katie must have known I’d need, the crescendo of “Been talking ’bout the way things change/my family lives in a different state.”

And then today talking to Andrew of Shake the Baron who is my friend and is moving to live in a cabin by a lake and teach guitar and record music for people and make songs through the winter. He listens to songs for melody, I listen for lyrics. Hopefully someday we’ll write a song together.

This video is is in a lonely place, a high underpass somewhere where the acoustics make them loud and resonant. I wonder how much of songs is still in the stones there. Either way I’ll sing along.

Poet for hire.

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Call Sean. His resume boasts a solo exhibition at the Sideyard Poets and Writers Event and numerous book arts victories. He is also a founding member of the Poets Trampoline Club.

Especially if you’re famous, you should definitely call him. There is nothing our celebrities need more these days than a poet.

“Like torpedoing birds” (photo story) (mine).

Last week I met this man in the coffee shop. He was well-spoken and friendly and we chatted. Here he is:

(from Peter Money’s website)

I didn’t meet Allen Ginsberg; he’s dead and likely never visited White River Junction. The man I did meet recommended that I read Joanne Kyger. As it turns out, she’s great! She’s beautiful!

Then the other day I got in the truck and there were four pumpkins sitting shotgun. I put one out by the mailbox and two along the driveway and one is still riding shotgun.

(from this isn’t happiness)

It’s autumn and the mums are on display. I’ve been reading The Collected Writings of Joe Brainard and oh I love it so much I love it so much.  Also, we’ve been drying sliced tomatoes, storing them in oil, stacking them in the cupboards where they’ll wait until they’re given as gifts. Here’s a painting by Joe Brainard, of a tomato.

(from The Met)

Outside, everything is in motion from the wind, the leaves flying to the ground like torpedoing birds.

(from Misha’s flickr)

 

The end.